In the hours before the night rituals of Timkat, processions move like a slow, breathing river through the streets — priests carrying tabots beneath embroidered canopies, drums pulsing in steady cadence, incense drifting in thin blue threads.
In front of the “Battle of the Falls” mural in Belfast, a local black-taxi driver pauses to recount the events of July 1970 — days etched into the city’s memory.
In the courtyard of Debre Birhan Selassie Church in Gondar, Ethiopia, a newlywed couple stands radiant in matching red velvet robes embroidered with gold crosses, their crowns gleaming beneath the midday sun.
Inside the Ensira Women’s Cooperative in Addis Ababa, women work side by side, hands deep in clay, shaping vessels on spinning wheels and smoothing forms with practiced care.
Inside the vaulted hall of Ho Chi Minh City’s central post office, a public scribe sits at a small wooden desk, his fountain pen poised above crisp paper in the echoing light.
At Phnom Penh’s S-21 prison — now a memorial site — a woman gazes at the wall of black-and-white portraits, each face a record of lives extinguished during the Khmer Rouge regime.
A powerful and poignant portrait capturing the story of a sterilization victim in Peru, shedding light on human rights issues, historical injustices, and the personal impact of forced sterilization policies in the region
In a sunlit lane edged by low buildings, a man in a pale turban and robe steadies the rope of his camel — the animal’s muzzle gently tethered, its fur catching the morning light.